Sean Lally

Articles



ESSAY

MAY 28 2020

Some random thoughts sparked by—but not entirely determined by— my reading of Our Lady of Flowers

Reading about Divine’s garret, I’m driven to remember my own set of garrets, these tiny offset rooms, which with a certain amount of force, could be fashioned into livable spaces, though in my case – and I assume this is one of several marked differences between myself and Divine – I was one of those self-relinquishing children of the petty bourgeoisie who wished for an authentic bohemian independence while taking money in desparation.

ESSAY

MAY 5 2020

Mountain in the Cloud: some scattered thoughts on David Rattray’s Opening the Eyelid

A pneumatic fire breathing writer, David tries to surpass the limits of his context, but toward what exactly? He is both the visionary coelacanth and the sonorous bat, muffled — each seeing without seeing. Is Rattray’s purported lack of seeing related to Dana Ward’s inadequacy, each a gift which makes their poetry possible in the first place? If there is vibrancy in these poems there is also the still water calm and depth of someone who has a life behind them.

ESSAY

MAY 2 2020

Holy Laughter

In the eighth scene of the Pompeii fresco, there’s a kneeling figure, probably the initiate, who’s sobbing, or maybe laughing, in the lap of a haloed person whose eyes are fixed on the descending angel still clutching their whip. The seated haloed figure, perhaps a teacher, gently caresses the initiate’s hair and, with an awkwardly bent right arm, scratches her back. The teacher, Fierz-David tells us, has experienced her own transformative rite but refuses anodyne gestures of understanding – the false empathy of “I’ve been there before.”

POEM ESSAY

MAY 2 2020

You and I, Our Relationship: In Theory

... this “greater than” is an excess beyond access, an ellipsis signifying the great beyond of an infinite series, the n+1 of ineffable language, and the silence of a certain kind of privacy that is as multiple as it is diffuse and that at the same time names a “code that could never be structurally secret.” And, so, while each, in their very iterability, may be barred from the other, they are also inextricably bound by a certain sociability. Thus, failure gives ground to a fecund range of possibilities that resist such easy co-existence. If what we have here is a failure to communicate, it is perhaps also the possibility to commune.

POEM

APRIL 28 2020

Dead Letter

... This made you smile. Gave you cloying hope that you could one day meet an angel. And so I inverted you. I arrived as a furious father. Then a disappointed coach. Then, later, an indifferent teacher. My authority plundered you, so that eventually there was no me and no you. No clarifying distance to give shape to all this ...

POEM

APRIL 28 2020

Anything But Real Music

... I was never one for lyrics which is why I’ve always fallen so hard for them when finally the line comes around like a fist I can’t help but feel, swaddled in melody’s rapture, and laryngeal friction gives a hard fuck you to the regulative nightmare we once called music ...

POEM ESSAY

APRIL 28 2020

Nothing to Say

... One of the things I’m most struck by, after reading Dana Ward’s “Typing Wild Speech,” is my own inability to respond to something that, in almost every utterance, gives looping associations to savor, so many thought-lazonges to suck on, and when I finally try to write something in response I’m immediately thrown back on my own inadequacies, which are, as I take it, central to the poem — well not my inadequacies but Dana’s, or maybe, Inadequacy as a quasi-conceptual framework — which is to say the poem is attempting to “sound out the depths” of a burning hole, constituted in great part by barely speakable loss. ...

ESSAY

APRIL 24 2020

Some Brief Notes on the Writing of David Rattray, Part I

... Refracting Rattray through Moten, we might think of tradition less as the hunky-dory mythos of grandfather time and more as what Moten calls “the refuge of an ongoing displacement.” Along these lines, tradition refers to the always-already provisional and improvisational habitus of a people trying to make their way through the muck and wreckage of history. The movement through tradition by way of a process of repetition, revision and critique is what we might call, following Moten, improvisation. And improvisation carries with it both the means toward life ...

REVIEW

September 16 2019

Everything Is Illuminated reviewed in Broadway World

“Lally as Jonathan and Sakowicz as Alex are masterful, commanding, and most importantly, incredibly charming.”

REVIEW

September 10 2015

Andy: a Popera reviewed in Opera News

“The script was developed by Jarboe in association with Sean Lally, who also channeled a louchely sexy, fatuously slow-witted Joe D’Alessandro. Jarboe and Lally’s writing is very smart.”

REVIEW

March 21 2019

John reviewed in Broadway World

“Sean Lally as Elias is a bundle of frustration. [...] He tends to blast in every direction and poke at the problem, only making it worse. He is infuriating and sympathetic all at the same time.”

REVIEW

July 15 2014

Profile piece on Andy: a Popera in Phindie

“Lally [in rehearsal] is such an honest performer it’s impossible to tell the difference between the raw material written just today and the older more rehearsed bits.”

REVIEW

October 30 2015

Equivocation reviewed in Philadelphia Inquirer

"Sean Lally plays multiple roles, but none as sharp as James [...] He's actively bisexual, with [...] a sadistic gleam in his eye [...] Lally and Hodge, dangerous, combustible, are all the gunpowder this plot needs."

REVIEW

October 30 2015

Equivocation reviewed in Talkin' Broadway

"Lally gives a stand-out performance as Sharpe, Tom Wintour, and King James, making the audience laugh out loud one moment and sending chills up our spines in the next.”

REVIEW

May 5 2014

Gint reviewed in Phindie

“Lally puts on a commanding performance in the title role, shifting from Appalachian raconteur to soulless SoCal mogul with unflagging energy [...] delighting in GINT’s unreflective self-invention.”

PROFESSIONAL

August 3 2018

Viewpoint: Workplace Implications of California’s New Privacy Law

Not long after the European Union passed the General Data Protection Regulation, California became the first state to introduce its own suite of consumer privacy rules. The California Consumer Privacy Act (CCPA), which was signed into law June 28 by Gov. Jerry Brown, includes many provisions aimed at bolstering consumers' privacy rights. Here's an overview of the law and what it means for employers.

PROFESSIONAL

August 3 2018

The Man Leading the Charge Against the Specter of Voter Fraud

Though the commission was dissolved earlier this year, Kobach and his acolytes have not given up on their fight against the specter of voter fraud. During the lawsuit – argued in March – Kobach summoned his team of experts, and in doing so, dug his own grave. Hans von Spakovsky, a legal fellow at the Heritage Foundation, spoke about the pervasiveness of voter fraud and the impact a small number of fraudulent voters can have on an election. [...] He later confessed that he couldn’t “identify a single case where the outcome was decided by noncitizen voting.”

PROFESSIONAL

April 3 2018

District Judge Rules in Favor of Transgender Student in Maryland

Things were looking up for Max, until one day, his school pushed back and excluded him from the boys’ locker room. They forced the 15-year old to use a gender-neutral facility, effectively alienating him from his classmates and teachers. Now, Max is a part of an ongoing lawsuit that, so far, is working in his favor – and in favor of transgender youths throughout the US.

PROFESSIONAL

April 30 2018

US Chamber of Commerce, Against the Unionization of Uber Drivers

Alongside the burgeoning gig economy, there has emerged a set of intractable questions around workers’ rights and the application of certain regulations. In Seattle, these questions came to a head, after the city council unanimously voted on an ordinance allowing Uber (and other ride-share) drivers to unionize and negotiate with their employer.

REVIEW

2014

Death of a Salesman reviewed in CurtainUp

“Sean Lally taps some rich hidden source to portray Biff's bravado, his loser side, his pain, and ultimately his comprehension.”

REVIEW

March 29 2012

Romeo and Juliet reviewed in WHYY

“Lally delivers a genuine performance of an awkward teenager in love, transforming into a young man who avenges the death of his friend Mercutio."